Four Songs from the Book of Common Prayer for voice, lute and viol by Roy Marks. Miserere, My Maker (Anon.), from the Turpyn Book of Lute Songs, by Wilfred Foxe. Contoh hasil inkscape tutorial. Driver camara web true basix viwc-001. Betrachte meine Seel from St John Passion, J S Bach, BWV 245, No 19 prepared by Wilfred Foxe. Psalm settings, Magificat and Grace for voice and lute by Roy Marks.

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For the complete beginner to the advanced student

A Performer S Guide To Renaissance Music

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A revised and expanded guide to performance practice issues in Renaissance musicDownload
This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editors introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.

Performance On Lute Guitar And Vihuela

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The first book-length study in any language dedicated specifically to lute, guitar, and vihuela.Download
'Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland.'--Jacket.

Discursos Sobre El Arte Del Dan Ado

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The Art of Dancing in Seventeenth-Century Spain includes a transcription of the Spanish text, a translation of that text into English, and extensive commentary that contextualizes the dancing in light of European, particularly Spanish, dance, society, culture, and history.'--BOOK JACKET.Download

Journal Of The Lute Society Of America

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Lute Society Of America Inc Quarterly

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This is a list of composers who wrote for lute and similar period instruments: theorbo, chitarrone, vihuela etc. Composers who worked outside of their country of origin are listed according to where they were most active, i.e. German-born Johannes Hieronymus Kapsberger is listed under Italy. Within sections, the order is alphabetical by surname (or, in cases of, for example, Pietrobono and Lorenzino, by first name).

• 1Renaissance and Baroque
  • 1.1Italy

Renaissance and Baroque[edit]

Italy[edit]

Late 15th century to mid-16th century[edit]

• Giovanni Maria Alemanni (fl. 1500–1525, no compositions survive)
• Pietro Paolo Borrono (c. 1490–1563)
• Franciscus Bossinensis (fl. 1510)
• Vincenzo Capirola (1474–after 1548)
• Marco Dall'Aquila (c.1480–after 1538)
• Joan Ambrosio Dalza (fl. 1508)
• Francesco Canova da Milano (1497–1543)
• Francesco Spinacino (fl. 1507)
• Giovanni Angelo Testagrossa (1470–1530, no compositions survive)

Mid 16th–17th centuries[edit]

• Bellerofonte Castaldi (1580–1649)
• Francesco Corbetta (c.1615–1681, composed for Baroque guitar)
• Fabrizio Dentice (c.1539–1581)
• The Galilei family:
  • Vincenzo Galilei (late 1520s–1591)
  • Michelagnolo Galilei (1575–1631), his son
• Johannes Hieronymus Kapsberger (c.1580–1651, of German descent)
• Simone Molinaro (c.1570–after 1633)
• Alessandro Piccinini (1566–1638)
• Giovanni Zamboni (fl. second half of the 17th century)

Late 17th–18th centuries[edit]

• Ludovico Roncalli (1654–1713)
• Antonio Vivaldi (1678–1741)

France[edit]

• Pierre Attaingnant (c.1494–c.1551, publisher, possibly composer)
• Robert Ballard (1575–1649)
• Julien Belin (c.1525/30–1584)
• Jean-Baptiste Besard (c.1567–after 1616)
• Pierre Blondeau (fl. 1st half of the 16th century)
• Mlle Bocquet (fl. 1st half of the 17th century)
• François de Chancy (1600-1656)
• François Dufaut (before 1604–before 1672)
• Jacques Gallot (died c.1690)
• The Gaultier family:
  • Denis Gaultier (1597/1603–1672)
  • Ennemond Gaultier (1575–1651), his cousin
• Jacques Gautier (Gaultier) (fl. 1st half of the 17th century, died before 1660)
• Pierre Gautier (Gaultier) (1599–after 1638, active in Italy)
• René Mesangeau (fl. 1567–1638)
• Germain Pinel (c. 1600–1664)
• Guillaume Morlaye (born c.1510)
• Charles Mouton (1617–1699)
• Jean-Paul Paladin (died before September 1565, Italian-born)
• Julien Perrichon (1566–c.1600)
• Jakub Reys (c.1550–c.1605, Polish-born)
• Albert de Rippe (1500–1551, Italian-born)
• Adrian Le Roy (c.1520–1598)
• Robert de Visée (c.1655–1732/3)

Spain[edit]

• Esteban Daza (c.1537–1591/6)
• Miguel de Fuenllana (fl. 1553–1578)
• Francisco Guerau (1649–1722, composed for Baroque guitar)
• Luys Milan (c.1500–after 1560)
• Alonso de Mudarra (c.1510–1580)
• Santiago de Murcia (c.1682–c.1740, moved to Mexico, composed for Baroque guitar)
• Luys de Narváez (fl. 1526–49)
• Diego Pisador (1509/10–after 1557)
• Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar)
• Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar)
• Enríquez de Valderrábano (fl. 1547)

England[edit]

• Daniel Bacheler (1572–1619)
• Thomas Campion (1567–1620)
• Francis Cutting (c.1550–c.1596)
• John Danyel (1564–c.1626)
• The Dowland family:
  • John Dowland (1563–1626)
  • Robert Dowland (1591–1641)
• Alfonso Ferrabosco the elder (1543–1588, Italian-born)
• Cuthbert Hely (fl. 1620–1640)
• Anthony Holborne (c.1545–1602)
• The Johnson family:
  • John Johnson (c.1545–1594)
  • Robert Johnson (c.1580–1634)
• Robert Jones (fl. 1597–1615)
• Thomas Robinson (fl. 1589–1609)
• Philip Rosseter (1567/8–1623)

Netherlands/Belgium[edit]

• Emanuel Adriaenssen (c.1554–1604)
• Joachim van den Hove (1567–1620)
• Constantijn Huygens (1596–1687, no compositions survive)
• Philips van Marnix van Sint-Aldegonde (1540–1598, no compositions survive)
• Johannes Matelart (1538-1607)
• Josquin des Prez (c.1450–1521)
• Jacques de Saint-Luc (1616–c.1710, worked in Paris, Vienna, etc.)
• Nicolas Vallet (c.1583–after 1642, French-born)
• Philip van Wilder (c.1500 – 1554)

Germany/Austria[edit]

• Johann Sebastian Bach (1685–1750)
• Jacques Bittner (fl. 1680)
• Ernst Gottlieb Baron (1696–1760)
• Adam Falckenhagen (1697–1754)
• Bernhard Joachim Hagen (1720–1787)
• Hans Gerle (c.1500-1570)
• Hans Judenkünig (c. 1445/50–1526)
• David Kellner (1670–1748)
• Karl Kohaut (1726–1784)
• Johann Kropfgans (1708-1770)
• Wolff Jakob Lauffensteiner (1676–1754)
• Elias Mertel (c.1561-1626)
• Hans Neusidler (c.1508/09–1563)
• Esaias Reusner (17th century)
• Sebastian Anton Scherer (1631–1712, no lute compositions survive)
• Arnolt Schlick (c.1460–after 1521)
• Silvius Leopold Weiss (1686–1750)

Other countries[edit]

• Bálint Bakfark (Hungary, c.1526/30–1576)
• Diomedes Cato (Italy, 1560/65–after 1607 or 1618, active in Poland)
• Wojciech Dlugoraj (Poland, 1557/8–c.1619)
• Jan Antonín Losy (Bohemia, c.1643–1721)

20th and 21st centuries[edit]

• Dušan Bogdanović (US and Serbia)
• Johann Nepomuk David (Germany)
• Alexandre Danilevsky (France and Russia)
• Vladimir Vavilov (Russia)
• Paulo Galvão (Portugal)
• Jacopo Gianninoto (Italy)
• Sandor Kallos (Ukraine and Russia)
• Ronn McFarlane (US)
• Robert MacKillop (Scotland)
• Toyohiko Satoh (Japan and Netherlands)
• Roman Turovsky-Savchuk (US and Ukraine)
• Jozef van Wissem (US/The Netherlands)